Miss Clara Barton. Female portrait of American Civil War time by Mathew Brady.
Original Caption: Miss Clara Barton..U.S. National Archives’ Local Identifier: 111-B-1857..From:: Series: Mathew Brady Photographs of Civil War-Era Personalities and Scenes, (Record Group 111)..Photographer: Brady, Mathew, 1823 (ca.) - 1896..Coverage Dates: ca. 1860 - ca. 1865..Subjects:.American Civil War, 1861-1865.Brady National Photographic Art Gallery (Washington, D.C.)..: catalog.archives.gov/id/526057 ( https://catalog.archives.gov/id/526057 ) ..Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001. .. .. ..Access Restrictions: Unrestricted.Use Restrictions: Unrestricted
Mathew B. Brady (May 18, 1822 – January 15, 1896) was one of the first American photographers, best known for his scenes of the Civil War. He studied under inventor Samuel F. B. Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York in 1844, and photographed Andrew Jackson and John Quincy Adams, among other celebrities. When the Civil War started, his use of a mobile studio and darkroom enabled vivid battlefield photographs that brought home the reality of war to the public. Thousands of war scenes were captured, as well as portraits of generals and politicians on both sides of the conflict, though most of these were taken by his assistants, rather than by Brady himself. After the war, these pictures went out of fashion, and the government did not purchase the master-copies, as he had anticipated. Brady’s fortunes declined sharply, and he died in debt. From The U.S. National Archives collection. The U.S. National Archives was established in 1934 by President Franklin Roosevelt, but its major holdings date back to 1775. The National Archives keeps only those Federal records that are judged to have continuing value -- about 2 to 5 percent of those generated in any given year. By now, they add up to a formidable number, diverse in form as well as in content. In addition to the photographs and graphic images described above, there are approximately 9 billion pages of textual records; 7.2 million maps, charts, and architectural drawings; billions of machine-readable data sets; and more than 365,000 reels of film and 110,000 videotapes. All of these materials are preserved because they are important to the workings of Government, have long-term research worth, or provide information of value to citizens.