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Armor - Armor - Designing armor for American soldiers. In the Armorer's Workshop of the Metropolitan Museum of Art, N.Y. under the direction of Major Bashford Dean, Ordance Dept., U.S.A. and curator of armor at the Museum, where armor for the American soldiers fighting in France is being designed. The suits of armor used in medieval times which many collectors have brought to the museum were carefully inspected and the good points brought to bear in fashioning this modern armor. The actual labor is being performed by Assistant Curator of Armor at the Museum, Daniel Facheaux and his assistant Sergt. Jacques Bartel, of the Ordnance Dept. American soldiers wearing this armor have gone into actual battle to test the effectiveness of the covering, and upon the result of the experiments depends whether the soldiers are to wear armor. Old helmets on exhibition in the Metropolitan Museum of Art, N.Y. These helmets are of Italian origin dating back to the 15th century. They are technically known as Saladebarbute, and are all of Milanese workmanship. The helmet on the extreme left is of classic design, and follows the fashion set by the ancient Greeks. These helmets are being studied by military experts so that the good points will not be lost in designing modern armor

Armor - Armor - Designing armor for American soldiers. In the Armorer'...

Photographer: Publishers Photo Ser. Armor - Armor Public domain photograph related to the United States in World War One, free to use, no copyright restrictions image - Picryl description

Armor - Armor - Designing armor for American Soldiers. In the Armorer's Workshop of the Metropolitan Museum of Art, N.Y., under the direction of Major Bashford Dean, Ord. Dept., U.S.A. and Curator of Armor at the Museum, armor for the American soldiers fighting in France is being designed. The suits of armor used in medieval times which many collectors have brought to the museum were carefully inspected and thegood points brought to bear in fashioning this modern armor. The actual labor is being performed by Assistant Curator of Armor at the Museum, Daniel Tachaux and his assistant Sergt. Jacquest Bartel, of the Ord. Dept. American soldiers wearing this armor have gone into actual battle to test the effectiveness of the covering, and upon the result of the experiments depends whether the soldiers are to wear armor. Daniel Tachaux examining the construction of a suit of battle armor of the 16th century, to adopt its good points in designing modern armor

Armor - Armor - Designing armor for American Soldiers. In the Armorer'...

Photographer: Publishers Photo Ser. Armor - Armor Public domain photograph related to the United States in World War One, free to use, no copyright restrictions image - Picryl description

Armor - Armor - Designing armor for American Soldiers. In the Armorer's workshop of the Metropolitan Museum of Art, N.Y. where, under the direction of Major Bashford Dean, Ord. Dept., U.S.A., and Curator of Armor at the Museum, armor for the American soldiers fighting in France is being designed. The suits of armor used in medieval times which many collectors have brought to the museum were carefully inspected and the good points brought to bear in fashioning this modern armor. The actual labor is being performed by Assistant Curator of Armor at the Museum, Daniel Tachaux and his assistant Sergt. Jacquest Bartel, of the Ord. Dept. american soldiers wearing this armor have gone into actual battle to test the effectiveness of the covering, and upon the result of the experiments depends whether the soldiers are to wear armor. Daniel Tachaux, who has been commissioned by the U.S. Governemnet to design protective armor for soldiers in the trenches, repairing a helmet of the 16th century

Armor - Armor - Designing armor for American Soldiers. In the Armorer'...

Photographer: Publishers Photo Ser. Armor - Armor Public domain photograph related to the United States in World War One, free to use, no copyright restrictions image - Picryl description

Armor - Armor - Designing armor for American Soldiers. In the Armorer's Workshop of the Metropolitan Museum of Art, N.Y. where under the direction of Major Bashford Dean, Ord. Dept., U.S.A., and Curator of Armor at the Museum, armor for the American soldiers fighting in France is being designed. The suits or armor used in medieval times which many collectors have brought to the museum were carefully inspected and the good points brought to the museum were carefully inspected and the good points brought to bear in fashioning this modern armor. The actual labor is being performed by Assistant Curator of Armor at the Museum, Daniel Tachaux and his assistnat Sergt. Jacques Bartel, of the Ord. Dept. American soldiers wearing this armor have gone into actual battle to test the effectiveness of the covering, and upon the result of the experiments depends whether the soldiers are to wear armor. A corner of the armor hall in the Metropolitan Museum of Art, New York. The suits of armor are being studied by miltiary experts

Armor - Armor - Designing armor for American Soldiers. In the Armorer'...

Photographer: Publishers Photo Ser. Armor - Armor Public domain photograph related to the United States in World War One, free to use, no copyright restrictions image - Picryl description

The objects in this collection are from The U.S. National Archives and Defense Visual Information Distribution Service. The U.S. National Archives and Records Administration (NARA) was established in 1934 by President Franklin Roosevelt. NARA keeps those Federal records that are judged to have continuing value—about 2 to 5 percent of those generated in any given year. There are approximately 10 billion pages of textual records; 12 million maps, charts, and architectural and engineering drawings; 25 million still photographs and graphics; 24 million aerial photographs; 300,000 reels of motion picture film; 400,000 video and sound recordings; and 133 terabytes of electronic data. The Defense Visual Information Distribution Service provides a connection between world media and the American military personnel serving at home and abroad. All of these materials are preserved because they are important to the workings of Government, have long-term research worth, or provide information of value to citizens.

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